Music 4 rising musicians leading today’s psychedelic renaissance Vinyl Williams, Teen Daze, Sunbeam Sound Machine, and Gold Celeste discuss how they are taking a 60s sound to strange new heights.
Fashion Kris Van Assche is luxury menswear’s hopeful romantic The designer discusses the freedom and terror of being Berluti’s new man.
Art Ming Smith’s ‘Strange Fruit’ reveals the specters of American history The photographer’s experiments in shadow and light reform gender and racial boundaries in a portfolio for Document S/S 2019.
Art Photographer Mitch Epstein on the incisive eye of his mentor Garry Winogrand As ‘Garry Winogrand: Color’ opens at The Brooklyn Museum, his former student tells Document why the emotive character of Winogrand's color photography still resonates today.
Above the Fold Mike Kelley’s ‘Unisex Love Nest’ examines the politics of queer aesthetics Mike Kelley's 'Unisex Love Nest,' which was recently shown in his adopted hometown for the first time, still resonates 20 years after its debut. by Ann Binlot Above the Fold Paul McCarthy and the Art of Vulgarity The Los Angeles-based artist closes Hauser & Wirth at 18th Street with a read on American consumer culture. by Derrick Gaitér Documented “Instant Diamonds of the Innocent” by Pipilotti Rist A part of her ongoing "Innocent Collection" project, the visual artist presents an original series for Document No. 9, with an introduction by Lynne Tillman. by Lynne Tillman Above the Fold Moment of Truth: Zoe Leonard Curates History The noted artist curates “In the Wake,” an exhibition that probes personhood, citizenship, and community at Hauser & Wirth New York. by Derrick Gaitér Above the Fold Yuta Nakajima and Madeline Warren on ‘Passing Leap’ at Hauser & Wirth During the summer months, when many residents escape the oppressive heat of the city, New York galleries have the chance to break out of their... by Drew Sawyer Above the Fold Document’s 10 Must-Sees at Art Basel 2015 Art Basel runs like a Swiss clock, flawlessly operated and enjoying its 46th edition. At the helm is the French-American director Marc Spiegler; if ever... by Justin Polera Documented Ida Applebroog: The Ethics of Desire (Studies) Ida Applebroog’s work is oriented around the destabilization of the known; often achieved by stripping culturally familiar imagery down to its most basic forms. by Alissa Bennett Above the Fold Poetics in Plaster: Thomas Houseago’s “Moun Room” at Hauser & Wirth Hauser & Wirth's new installation by Thomas Houseago, “Moun Room,” is immediately arresting, drawing us into a 40,000 square-foot, sky-lit hangar. Reminiscent of visual labyrinths... by Justin Polera
Above the Fold Mike Kelley’s ‘Unisex Love Nest’ examines the politics of queer aesthetics Mike Kelley's 'Unisex Love Nest,' which was recently shown in his adopted hometown for the first time, still resonates 20 years after its debut. by Ann Binlot
Above the Fold Paul McCarthy and the Art of Vulgarity The Los Angeles-based artist closes Hauser & Wirth at 18th Street with a read on American consumer culture. by Derrick Gaitér
Documented “Instant Diamonds of the Innocent” by Pipilotti Rist A part of her ongoing "Innocent Collection" project, the visual artist presents an original series for Document No. 9, with an introduction by Lynne Tillman. by Lynne Tillman
Above the Fold Moment of Truth: Zoe Leonard Curates History The noted artist curates “In the Wake,” an exhibition that probes personhood, citizenship, and community at Hauser & Wirth New York. by Derrick Gaitér
Above the Fold Yuta Nakajima and Madeline Warren on ‘Passing Leap’ at Hauser & Wirth During the summer months, when many residents escape the oppressive heat of the city, New York galleries have the chance to break out of their... by Drew Sawyer
Above the Fold Document’s 10 Must-Sees at Art Basel 2015 Art Basel runs like a Swiss clock, flawlessly operated and enjoying its 46th edition. At the helm is the French-American director Marc Spiegler; if ever... by Justin Polera
Documented Ida Applebroog: The Ethics of Desire (Studies) Ida Applebroog’s work is oriented around the destabilization of the known; often achieved by stripping culturally familiar imagery down to its most basic forms. by Alissa Bennett
Above the Fold Poetics in Plaster: Thomas Houseago’s “Moun Room” at Hauser & Wirth Hauser & Wirth's new installation by Thomas Houseago, “Moun Room,” is immediately arresting, drawing us into a 40,000 square-foot, sky-lit hangar. Reminiscent of visual labyrinths... by Justin Polera