Music 4 rising musicians leading today’s psychedelic renaissance Vinyl Williams, Teen Daze, Sunbeam Sound Machine, and Gold Celeste discuss how they are taking a 60s sound to strange new heights.
Fashion Kris Van Assche is luxury menswear’s hopeful romantic The designer discusses the freedom and terror of being Berluti’s new man.
Art Ming Smith’s ‘Strange Fruit’ reveals the specters of American history The photographer’s experiments in shadow and light reform gender and racial boundaries in a portfolio for Document S/S 2019.
Art Photographer Mitch Epstein on the incisive eye of his mentor Garry Winogrand As ‘Garry Winogrand: Color’ opens at The Brooklyn Museum, his former student tells Document why the emotive character of Winogrand's color photography still resonates today.
Above the Fold James Welling on his photo ‘1538’ “The challenge is to create something I haven't seen before." by Vetle Egeland Above the Fold Amy Arbus on her photo ‘Julio Q’ 'In those days, it was so much fun to take pictures of people because they were never suspicious. They were just honored.' by Vetle Egeland Above the Fold Joel Sternfeld on his photo ‘After A Flash Flood, Rancho Mirage’ 'This photo of the flash flood in Rancho Mirage evokes all of the disasters that are going to happen because of extreme weather. I wish... by Vetle Egeland Above the Fold Joe Gaffney on his photo ‘Sunrise on the Avenue Montaigne’ For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work. by Vetle Egeland Above the Fold Tina Tyrell on her photo ‘Time Will Have Its Fancy’ Every week for Contact Sheet, Document asks a photographer for the unseen story about the frame that has come to define their work. by Vetle Egeland Above the Fold Pieter Hugo on his photo “Portrait #3, Rwanda, 2014” "I like to think of some of these pictures as little gifts from the universe." by Phil Backes Above the Fold Andreas Laszlo Konrath on his photo “Untitled (Joe #11, Braces 1)” Contact Sheet is Document's newest weekly installment on the story behind the images shaping our visual culture. by Vetle Egeland
Above the Fold James Welling on his photo ‘1538’ “The challenge is to create something I haven't seen before." by Vetle Egeland
Above the Fold Amy Arbus on her photo ‘Julio Q’ 'In those days, it was so much fun to take pictures of people because they were never suspicious. They were just honored.' by Vetle Egeland
Above the Fold Joel Sternfeld on his photo ‘After A Flash Flood, Rancho Mirage’ 'This photo of the flash flood in Rancho Mirage evokes all of the disasters that are going to happen because of extreme weather. I wish... by Vetle Egeland
Above the Fold Joe Gaffney on his photo ‘Sunrise on the Avenue Montaigne’ For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work. by Vetle Egeland
Above the Fold Tina Tyrell on her photo ‘Time Will Have Its Fancy’ Every week for Contact Sheet, Document asks a photographer for the unseen story about the frame that has come to define their work. by Vetle Egeland
Above the Fold Pieter Hugo on his photo “Portrait #3, Rwanda, 2014” "I like to think of some of these pictures as little gifts from the universe." by Phil Backes
Above the Fold Andreas Laszlo Konrath on his photo “Untitled (Joe #11, Braces 1)” Contact Sheet is Document's newest weekly installment on the story behind the images shaping our visual culture. by Vetle Egeland